The Palestinian Symbolic Space in Digital Caricature

Abstract

    This study seeks to analyze media caricature discourse and to highlight the shared symbols in the works of caricature artists, most notably: Naji Al-Ali, Alaa Al-Laqta, Mohammad Sabaaneh, Raed Qatanani, Ahmad Qaddoura, Omaya Joha, among others. The symbols in caricature images are regarded as visual “genes” that contribute to tracing semantic focal points and to demonstrating the aesthetics of literal inspiration between the present text and the absent (implicit) text of the image. The study explored these symbols represented in the map of Palestine, Jerusalem, Palestinian political leaders such as the late President Yasser Arafat (Abu Ammar) and President Mahmoud Abbas (Abu Mazen), as well as the key, the clock, and the milk bottle.

    The caricatures were analyzed using a semiotic methodology applied to a purposive sample of drawings, with the aim of uncovering the essence of the symbolic meanings of caricature images and linking them to their visual space within the context of the message they convey. The study concluded that caricature artists were able to construct semantic and connotative visual spaces that project political and national horizons which written or spoken discourse often fails to deliver. Caricature symbols, especially those addressing the issue of Jerusalem, the Palestinian people, and Palestinian refugees, aimed to instill hope, resilience, and steadfastness.

    The study recommends paying greater attention to caricature discourse in addressing the issues facing the Palestinian people, particularly national ones, by enhancing the coverage of caricature artworks on websites, electronic journals, and social media platforms, as well as organizing art exhibitions where caricature artists can present and interpret the content of their national caricature discourse.